Skip to main content

Matt Wilkinson - Four Way Interview

Matt Wilkinson is a zoologist and science communicator at the University of Cambridge. His work has been covered in the Telegraph, Metro, New Scientist and Nature. In 2007 he attended drama school and wrote a play about T.H. Huxley that premiered at the 2009 Darwin Festival. Restless Creatures is his first book. 


Why science?

Like most scientists and science enthusiasts, I just love finding out how the world works, and uncovering its secrets!  And I've found that the deeper you look, the more beautiful it becomes.  It's a fascination that can never run out, because answering one question invariably leads to many more.

Why this book?

I studied pterodactyl flight in my PhD years, which opened my eyes to the all-pervading influence of physics - particularly the physics of locomotion - on the evolution of life.  Once I had become familiar with the basic principles of movement, many fundamental aspects of living things and their evolution seemed to fall into place.  It was and continues to be immensely satisfying - even exhilarating at times - to 'get' life in this way, and Restless Creatures is my attempt to share that satisfaction with others.

What’s next?

There are a few potential sophomore avenues I might explore - among them the evolution of chemical communication in all its guises, or of the voice.  I'm also thinking of putting my playwright hat on again! 

What’s exciting you at the moment? 

My current bee in bonnet is the evolution of the idea of evolution, and why it was only when Darwin weighed in that the idea - with a long pre-Darwinian heritage - achieved widespread acceptance.  The political and social currency of evolution fascinates me.

Comments

Popular posts from this blog

Roger Highfield - Stephen Hawking: genius at work interview

Roger Highfield OBE is the Science Director of the Science Museum Group. Roger has visiting professorships at the Department of Chemistry, UCL, and at the Dunn School, University of Oxford, is a Fellow of the Academy of Medical Sciences, and a member of the Medical Research Council and Longitude Committee. He has written or co-authored ten popular science books, including two bestsellers. His latest title is Stephen Hawking: genius at work . Why science? There are three answers to this question, depending on context: Apollo; Prime Minister Margaret Thatcher, along with the world’s worst nuclear accident at Chernobyl; and, finally, Nullius in verba . Growing up I enjoyed the sciencey side of TV programmes like Thunderbirds and The Avengers but became completely besotted when, in short trousers, I gazed up at the moon knowing that two astronauts had paid it a visit. As the Apollo programme unfolded, I became utterly obsessed. Today, more than half a century later, the moon landings are

Splinters of Infinity - Mark Wolverton ****

Many of us who read popular science regularly will be aware of the 'great debate' between American astronomers Harlow Shapley and Heber Curtis in 1920 over whether the universe was a single galaxy or many. Less familiar is the clash in the 1930s between American Nobel Prize winners Robert Millikan and Arthur Compton over the nature of cosmic rays. This not a book about the nature of cosmic rays as we now understand them, but rather explores this confrontation between heavyweight scientists. Millikan was the first in the fray, and often wrongly named in the press as discoverer of cosmic rays. He believed that this high energy radiation from above was made up of photons that ionised atoms in the atmosphere. One of the reasons he was determined that they should be photons was that this fitted with his thesis that the universe was in a constant state of creation: these photons, he thought, were produced in the birth of new atoms. This view seems to have been primarily driven by re

Deep Utopia - Nick Bostrom ***

This is one of the strangest sort-of popular science (or philosophy, or something or other) books I've ever read. If you can picture the impact of a cross between Douglas Hofstadter's  Gödel Escher Bach and Gaileo's Two New Sciences  (at least, its conversational structure), then thrown in a touch of David Foster Wallace's Infinite Jest , and you can get a feel for what the experience of reading it is like - bewildering with the feeling that there is something deep that you can never quite extract from it. Oxford philosopher Nick Bostrom is probably best known in popular science for his book Superintelligence in which he looked at the implications of having artificial intelligence (AI) that goes beyond human capabilities. In a sense, Deep Utopia is a sequel, picking out one aspect of this speculation: what life would be like for us if technology had solved all our existential problems, while (in the form of superintelligence) it had also taken away much of our appare