Skip to main content

On Creativity - David Bohm ***

Physicist David Bohm was an unusual character. This American physicist spent much of working life in the UK. A collaborator on the Manhattan Project, Bohm is best known for his alternative approach to quantum theory which did away with conventional ideas of locality and that gave him the opportunity to bring both physics and the nature of thought into the same framework. Bohm's more original ideas were largely dismissed, but have had some resurgence of interest in the last few years.

In his classic book On Creativity, originally written several decades ago, but with some more recent material added, Bohm provides a series of long essays on topics from the nature of creativity and the relationship of science and art, to 'the art of perceiving movement' and 'art, dialogue and the implicit order.'

I found the first two essays quite interesting, particularly in Bohm's insights into the relationship of science and art, but the later essays seemed over-heavy with philosophical concepts that more got in the way of understanding than giving any great clarity, and the concluding interview has the typical shallowness of an attempt to interview a scientist with questioning from an arts background.

If you want to see how the mind of someone with genuinely wide-ranging curiosity and impressive ability to cross cultural and scientific boundaries operated, this book is well worth a go, though expect parts of it to be extremely hard work to read. If you want a clear exposition of the nature of creativity, beyond the basics in the first few pages, it is probably best to look elsewhere.

Hardback:  
Kindle:  
Review by Brian Clegg

Comments

Popular posts from this blog

The Feed (SF) - Nick Clark Windo ****

Ever since The War of the Worlds, the post-apocalyptic disaster novel has been a firm fixture in the Science Fiction universe. What's more, such books are often among the few SF titles that are shown any interest by the literati, probably because many future disaster novels feature very little science. With a few exceptions, though (I'm thinking, for instance, The Chrysalids) they can make for pretty miserable reading unless you enjoy a diet of page after page of literary agonising.

The Feed is a real mixture. Large chunks of it are exactly that - page after page of self-examining misery with an occasional bit of action thrown in. But, there are parts where the writing really comes alive and shows its quality. This happens when we get the references back to pre-disaster, when we discover the Feed, which takes The Circle's premise to a whole new level with a mega-connected society where all human interaction is through directly-wired connections… until the whole thing fails …

The Bastard Legion (SF) - Gavin Smith *****

Science fiction has a long tradition of 'military in space' themes - and usually these books are uninspiring at best and verging on fascist at worst. From a serious SF viewpoint, it seemed that Joe Haldeman's magnificent The Forever War made the likes of Starship Troopers a mocked thing of the past, but sadly Hollywood seems to have rebooted the concept and we now see a lot of military SF on the shelves.

The bad news is that The Bastard Legion could not be classified as anything else - but the good news is that, just as Buffy the Vampire Slayer subverted the vampire genre, The Bastard Legion has so many twists on a straightforward 'marines in space' title that it does a brilliant job of subversion too.

The basic scenario is instantly different. Miska is heading up a mercenary legion, except they're all hardened criminals on a stolen prison ship, taking part because she has stolen the ship and fitted them all with explosive collars. Oh, and helping her train her &…

The Laser Inventor - Theodore Maiman ****

While the memoirs of many scientists are probably best kept for family consumption, there are some breakthroughs where the story is sufficiently engaging that it can be fascinating to get an inside view on what really happened. Although Theodore Maiman's autobiographical book is not a slick, journalist-polished account, it is very effective at highlighting two significant narratives - how Maiman was able to construct the first ever laser, despite having far fewer resources than many of his competitors, and how 'establishment' academic physicists, particularly in the US, tried to minimise his achievement.

On the straight autobiographical side, we get some early background and discover how Maiman combined degrees in electrical engineering and physics to have an unusually strong mix of the practical and the theoretical. Rather than go into academia after his doctorate, he went into industry - which seems to have been responsible for the backlash against his invention, which we…