Skip to main content

Artemis (SF) - Andy Weir ****

It's impossible to read Artemis and not be reminded of that one-time SF great, Robert A. Heinlein. Not only was what was arguably Heinlein's best book also set on a Moon colony (more on that later), he had a penchant for feisty young female lead characters who were very intelligent but do not make conventional use of their abilities (think anything from Podkayne of Mars to Friday) - a perfect match for the central character of Andy Weir's new novel, Jasmine (Jazz) Bashara.

Artemis is set on a permanent Moon colony of around 2,000 inhabitants. Its bubble habitats are set up a short train ride from the Apollo 11 landing site, which reflects the colony's main source of income - tourism. Jazz makes her living apparently as a porter, moving goods around the colony, but in reality as a smuggler. This brings her into contact with others who will involve her in something far bigger, with drastic consequences.

Told in the first person by Jazz, this is a fairly conventional space adventure, though Weir does make use of his trademark ability to bring in excellent thinking through of the real practicalities of doing things away from the Earth - such as welding in airless environment or the workings of a Moon-based ore smelter.

Weir also thinks through the implications of keeping the economy of a small Moon colony viable, which brings us back to the comparison with Heinlein's The Moon is a Harsh Mistress. There too, the lunar colony's independence is under threat, though reflecting Heinlein's libertarian inclinations, his threat is the Earth-based government, where Weir's is organised crime - though there is a similar distrust of traditional government here too.

Although there are strong similarities with Heinlein's work (including a certain naivety of characterisation) - and it's hard to imagine that Weir has never read Heinlein - this is in no sense a pastiche. Perhaps the only slight problem is that it probably doesn't come out on top in a comparison with The Moon is a Harsh Mistress - but that was a hard act to follow.

Artemis stands on its own as an enjoyable thriller, though, especially as tension mounts towards the end. It's an easy read, and Weir's introduction of plenty of thought-through science and engineering makes it a pleasure for those who like their science fiction as close as possible to physical reality. Writing a follow up to the remarkable success of The Martian was always going to be difficult. Artemis isn't as good - but stands up well in its own right. The book is a pleasure to read - but even more fun if you know enough SF history to recognise its heritage.


Hardback:  


Kindle:  



Review by Brian Clegg

Comments

Popular posts from this blog

De/Cipher - Mark Frary ****

I was a little doubtful when I first saw this book. Although it has the intriguing tagline 'The greatest codes ever invented and how to crack them' the combination of a small format hardback and gratuitous illustrations made me suspect it would be a lightweight, minimal content, Janet and John approach to codes and ciphers. Thankfully, in reality Mark Frary manages to pack a remarkable amount of content into De/Cipher's slim form.

Not only do we get some history on and instructions to use a whole range of ciphers, there are engaging little articles on historical codebreakers and useful guidance on techniques to break the simpler ciphers. The broadly historical structure takes the reader through basic alphabetic manipulation, keys, electronic cryptography, one time pads and so on, all the way up to modern public key encryption and a short section on quantum cryptography. 

We even get articles on some of the best known unsolved ciphers, such as the Dorabella and the Voynich ma…

Paul McAuley - Four Way Interview

Paul McAuley won the Philip K. Dick Award for his first novel and has gone on to win the Arthur C. Clarke, British Fantasy, Sidewise and John W. Campbell Awards. He gave up his position as a research biologist to write full-time. He lives in London. His latest novel is Austral.


Why science fiction?

For one thing, I fell in love with science fiction at an early age, and haven’t yet fallen out of love with it (although I have flirted with other genres). For another, we’re living in an increasingly science-fictional present. Every day brings headlines that could have been ripped from a science-fiction story. Giant robot battle: Who knew a duel between chainsaw-armed mech suits could be so boring? for instance. Or, Roy Orbison hologram to embark on UK tour in 2018. And looming above all this, like Hokusai’s famous wave, are the ongoing changes caused by global warming and climate change, which is just one consequence of human activity having become the dominant force of change on the planet…

Karl Drinkwater - Four Way Interview

Karl Drinkwater is originally from Manchester, but has lived in Wales half his life. He is a full-time author, edits fiction for other writers and was a professional librarian for over twenty-five years. He has degrees in English, Classics and Information Science. When he isn't writing, he loves exercise, guitars, computer and board games, the natural environment, animals, social justice, cake and zombies - not necessarily in that order. His latest novel is Lost Solace.

Why science fiction?

My favourite books have always been any form of speculative fiction. As a child I began with ghost stories, which were the first books to make me completely forget I was reading. By my teenage years I was obsessed with fantasy, science fiction, and horror. Although I read literary and contemporary books, non-fiction, historical works, classics and so on, it is speculative fiction that I return to when I want escape and wonder. When I read reviews of my last book, the fast-paced novella Harvest Fe…