The phrase ‘I want to believe’ was popularised by the TV show The X-Files in the 1990s, and it encapsulates the very heart of the UFO phenomenon: people want to believe in it. Mysterious objects seen in the sky are just part of a complex belief system that has evolved over the last seventy years into a remarkably robust edifice. The psychological term ‘cognitive dissonance’ – whereby a firmly held belief may actually become stronger when the believer is confronted with conflicting evidence – was originally coined in the context of a UFO cult in the 1950s. The X-Files went on to provide one of the most powerful tools in the cognitive dissonance arsenal, by popularising the idea that ‘They’ (the government, NASA et al) are actively concealing the truth about UFOs. This hypothesis – which Clarke points out is unfalsifiable – allows any awkward counter-evidence to be dismissed as ‘disinformation’.
The X-Files was just one of many science fiction works that influenced the way people think about UFOs. When Britain’s Ministry of Defence began to release its own UFO-related correspondence under the Freedom of Information act, David Clarke took on the role of consultant to the National Archives on the subject. He discovered that the bulk of the material consisted of sightings reported by members of the public, and ‘realised there was no escaping the link between what people said they saw in the sky and the fantasies of pop culture. The yearly statistics the ministry had compiled since 1959 suggested there was a correlation between the popularity of science fiction movies and UFO flaps.’
The mainstream media, like science fiction, has been instrumental in shaping the UFO phenomenon. Before the term ‘UFO’ was coined, unidentified flying objects were commonly referred to as ‘flying saucers’. Sightings were invariably described as being exactly that – flying objects in the shape of saucers. Yet the term ‘flying saucer’ originated as a journalistic misunderstanding, before anyone ever reported seeing a flying disc-shaped craft. In June 1947, a pilot named Kenneth Arnold observed a strange formation of nine semicircular or crescent-shaped aircraft moving ‘like a saucer would if you skipped it across water’. The journalist who first wrote up the story used the term ‘flying saucer’ – and it was only after this that people began to see saucer-shaped craft.
The book’s ten chapters cover all the major themes of ufology, ranging from lights in the sky to crashed saucers, government cover-ups and alien abductions. David Clarke is a strong advocate of Occam’s Razor, arguing that in all the cases he has encountered there is a simpler, more mundane explanation than the (admittedly more appealing) extraterrestrial hypothesis. That may sound all very dull and negative, but actually the opposite is true – it’s a fascinating account of the way perfectly normal people can have their perceptions and preconceptions shaped by what has become, as the book’s subtitle says, a modern myth.
Most of the material in the book is drawn from the author’s own interviews and investigations, which inevitably gives it something of a British bias. That’s not a bad thing, though, because many of the incidents described will be new to readers more familiar with American ufology. A case in point took place as long ago as 1967, when six ‘crashed saucers’ were discovered spread out across a large swathe of southern England one morning. This was a hoax perpetrated by a group of engineering apprentices, but its significance lies in the consternation it caused to the British authorities. There was no hint of any attempt to ‘cover up’ the evidence, or of a high-level contingency plan to deal with alien invasion. To quote the exact words of the RAF Group Captain sent to investigate one of the saucers, the immediate response in Whitehall was 'Shit! What shall we do?'
This isn’t a book for UFO believers, who will see it as a systematic attempt to kick over all their carefully constructed sandcastles. The fact is, however, that Clarke doesn’t kick over any sandcastles at all – he simply looks at them with closer scrutiny than their builders would like. To continue the metaphor, it’s a book for people who are prepared to admire sandcastles without needing to make-believe they’re real castles. If you’re the sort of person who would never dream of buying a book with ‘UFO’ in the title – this is the one that ought to change your mind.
Review by Andrew May