Skip to main content

The Demon Haunted World – Carl Sagan *****

An eloquent plea for reason and the scientific method when the media are pumping unexplained phenomena and X-Files fiction at us all the time. There’s nothing wrong at all with science fiction or fantasy, as long as we are aware that’s what it is – but Sagan points out just how easy it is for us to believe that the ‘truth is out there’ just because we want it to be.

Everything from presidents consulting horoscopes to witch burning and miracle cures come under Sagan’s logical but still human eye. Whether your demons are traditional or modern world alien abductors, spirit mediums or faith healers, he painstakingly shows that we are much more likely to invent the supernatural than to experience it for real.

Although Sagan goes on a bit, it’s a great counter to wide-eyed acceptance – as useful in business as it is in dealing with the unexplained. The cover asks ‘Are we on the brink of a new Dark Age of irrationality and superstition?’ and it’s a question anyone with an interest in science has to face up to.

Perhaps the only weakness Sagan doesn’t face is the scientists who have don’t take a scientific, rational view (‘let’s test this theory with experiment’) but instead refuse to even consider phenomena outside of their experience (‘There’s no point looking into it; it doesn’t exist.’) But we definitely need a few more sceptical works like this to put along the uncritical pap that TV companies regularly feed into our homes as ‘documentaries’.

Paperback:   

Using these links earns us commission at no cost to you
Review by Brian Clegg - See all Brian's online articles or subscribe to a weekly email free here

Comments

Popular posts from this blog

Philip Ball - How Life Works Interview

Philip Ball is one of the most versatile science writers operating today, covering topics from colour and music to modern myths and the new biology. He is also a broadcaster, and was an editor at Nature for more than twenty years. He writes regularly in the scientific and popular media and has written many books on the interactions of the sciences, the arts, and wider culture, including Bright Earth: The Invention of Colour, The Music Instinct, and Curiosity: How Science Became Interested in Everything. His book Critical Mass won the 2005 Aventis Prize for Science Books. Ball is also a presenter of Science Stories, the BBC Radio 4 series on the history of science. He trained as a chemist at the University of Oxford and as a physicist at the University of Bristol. He is also the author of The Modern Myths. He lives in London. His latest title is How Life Works . Your book is about the ’new biology’ - how new is ’new’? Great question – because there might be some dispute about that! Many

Stephen Hawking: Genius at Work - Roger Highfield ****

It is easy to suspect that a biographical book from highly-illustrated publisher Dorling Kindersley would be mostly high level fluff, so I was pleasantly surprised at the depth Roger Highfield has worked into this large-format title. Yes, we get some of the ephemera so beloved of such books, such as a whole page dedicated to Hawking's coxing blazer - but there is plenty on Hawking's scientific life and particularly on his many scientific ideas. I've read a couple of biographies of Hawking, but I still came across aspects of his lesser fields here that I didn't remember, as well as the inevitable topics, ranging from Hawking radiation to his attempts to quell the out-of-control nature of the possible string theory universes. We also get plenty of coverage of what could be classified as Hawking the celebrity, whether it be a photograph with the Obamas in the White House, his appearances on Star Trek TNG and The Big Bang Theory or representations of him in the Simpsons. Ha

The Blind Spot - Adam Frank, Marcelo Gleiser and Evan Thompson ****

This is a curate's egg - sections are gripping, others rather dull. Overall the writing could be better... but the central message is fascinating and the book gets four stars despite everything because of this. That central message is that, as the subtitle says, science can't ignore human experience. This is not a cry for 'my truth'. The concept comes from scientists and philosophers of science. Instead it refers to the way that it is very easy to make a handful of mistakes about what we are doing with science, as a result of which most people (including many scientists) totally misunderstand the process and the implications. At the heart of this is confusing mathematical models with reality. It's all too easy when a mathematical model matches observation well to think of that model and its related concepts as factual. What the authors describe as 'the blind spot' is a combination of a number of such errors. These include what the authors call 'the bifur